Reading Practice
Harrison Bergeron
by Kurt Vonnegut, Jr.
The full story is in the comments column. Please read and respond thoughtfully to the questions or ptompts.
This is my attempt to harness blogging as a teaching/learning tool for my Primary 6 pupils and myself.
14 Comments:
THE YEAR WAS 2081, and everybody was finally equal. They weren't only equal before God and the law. They were equal every which way. Nobody was smarter than anybody else. Nobody was better looking than anybody else. Nobody was stronger or quicker than anybody else. All this equality was due to the 211th, 212th, and 213th Amendments to the Constitution, and to the unceasing vigilance of agents of the United States Handicapper General.
Some things about living still weren't quite right, though. April for instance, still drove people crazy by not being springtime. And it was in that clammy month that the H-G men took George and Hazel Bergeron's fourteen-year-old son, Harrison, away.
It was tragic, all right, but George and Hazel couldn't think about it very hard. Hazel had a perfectly average intelligence, which meant she couldn't think about anything except in short bursts. And George, while his intelligence was way above normal, had a little mental handicap radio in his ear. He was required by law to wear it at all times. It was tuned to a government transmitter. Every twenty seconds or so, the transmitter would send out some sharp noise to keep people like George from taking unfair advantage of their brains.
George and Hazel were watching television. There were tears on Hazel's cheeks, but she'd forgotten for the moment what they were about.
On the television screen were ballerinas. A buzzer sounded in George's head. His thoughts fled in panic, like bandits from a burglar alarm.
"That was a real pretty dance, that dance they just did," said Hazel.
"Huh" said George.
"That dance-it was nice," said Hazel.
"Yup," said George. He tried to think a little about the ballerinas. They weren't really very good-no better than anybody else would have been, anyway. They were burdened with sashweights and bags of birdshot, and their faces were masked, so that no one, seeing a free and graceful gesture or a pretty face, would feel like something the cat drug in. George was toying with the vague notion that maybe dancers shouldn't be handicapped. But he didn't get very far with it before another noise in his ear radio scattered his thoughts.
George winced. So did two out of the eight ballerinas.
Hazel saw him wince. Having no mental handicap herself, she had to ask George what the latest sound had been.
"Sounded like somebody hitting a milk bottle with a ball peen hammer," said George.
"I'd think it would be real interesting, hearing all the different sounds," said Hazel a little envious. "All the things they think up."
"Um," said George.
"Only, if I was Handicapper General, you know what I would do?" said Hazel. Hazel, as a matter of fact, bore a strong resemblance to the Handicapper General, a woman named Diana Moon Glampers. "If I was Diana Moon Glampers," said Hazel, "I'd have chimes on Sunday-just chimes. Kind of in honor of religion."
"I could think, if it was just chimes," said George.
"Well-maybe make 'em real loud," said Hazel.
"I think I'd make a good Handicapper General." "Good as anybody else," said George.
"Who knows better then I do what normal is?" said Hazel.
"Right," said George. He began to think glimmeringly about his abnormal son who was now in jail, about Harrison, but a twenty-one-gun salute in his head stopped that.
"Boy!" said Hazel, "that was a doozy, wasn't it?" It was such a doozy that George was white and trembling, and tears stood on the rims of his red eyes. Two of of the eight ballerinas had collapsed to the studio floor, were holding their temples.
"All of a sudden you look so tired," said Hazel. "Why don't you stretch out on the sofa, so's you can rest your handicap bag on the pillows, honeybunch." She was referring to the forty-seven pounds of birdshot in a canvas bag, which was padlocked around George's neck. "Go on and rest the bag for a little while," she said. "I don't care if you're not equal to me for a while."
George weighed the bag with his hands. "I don't mind it," he said. "I don't notice it any more. It's just a part of me."
"You been so tired lately-kind of wore out," said Hazel. "If there was just some way we could make a little hole in the bottom of the bag, and just take out a few of them lead blls. Just a few."
"Two years in prison and two thousand dollars fine for every ball I took out," said George. "I don't call that a bargain."
"If you could just take a few out when you came home from work," said Hazel. "I mean-you don't compete with anybody around here. You just set around."
"If I tried to get away with it," said George, "then other people'd get away with it-and pretty soon we'd be right back to the dark ages again, with everybody competing against everybody else. You wouldn't like that, would you?"
"I'd hate it," said Hazel.
"There you are," said George. The minute people start cheating on laws, what do you think happens to society?"
If Hazel hadn't been able to come up with an answer to this question, George couldn't have supplied one. A siren was going off in his head.
"Reckon it'd fall all apart," said Hazel.
"What would?" said George blankly.
"Society," said Hazel uncertainly. "Wasn't that what you just said?
"Who knows?" said George.
The television program was suddenly interrupted for anews bulletin. It wasn't clear at first as to what the bulletin was about, since the announcer, like all announcers, had a serious speech impediment. For about half a minute, and in a state of high excitement, the announcer tried to say, "Ladies and Gentlemen." He finally gave up, handed the bulletin to a ballerina to read.
"That's all right-" Hazel said of the announcer, "he tried. That's the big thing. He tried to do the best he could with what God gave him. He should get a nice raise for trying so hard."
"Ladies and Gentlemen," said the ballerina, reading the bulletin.
She must have been extraordinarily beautiful, because the mask she wore was hideous. And it was easy to see that she was the strongest and most graceful of all the dancers, for her handicap bags were as big as those worn by two-hundred pound men. And she had to apologize at once for her voice, which was a very unfair voice for a woman to use. Her voice was a warm, luminous, timeless melody.
"Excuse me-" she said, and she began again, making her voice absolutely uncompetitive.
"Harrison Bergeron, age fourteen," she said in a grackle squawk, "has just escaped from jail, where he was held on suspicion of plotting to overthrow the government. He is a genius and an athlete, is under-handicapped, and should be regarded as extremely dangerous."
A police photograph of Harrison Bergeron was flashed on the screen-upside down, then sideways, upside down again, then right side up. The picture showed the full length of Harrison against a background calibrated in feet and inches. He was exactly seven feet tall. The rest of Harrison's appearance was Halloween and hardware. Nobody had ever born heavier handicaps. He had outgrown hindrances faster than the H-G men could think them up. Instead of a little ear radio for a mental handicap, he wore a tremendous pair of earphones, and spectacles with thick wavy lenses. The spectacles were intended to make him not only half blind, but to give him whanging headaches besides. Scrap metal was hung all over him. Ordinarily, there was a certain symmetry, a military neatness to the handicaps issued to strong people, but Harrison looked like a walking junkyard. In the race of life, Harrison carried three hundred pounds. And to offset his good looks, the H-G men required that he wear at all times a red rubber ball for a nose, keep his eyebrows shaved off, and cover his even white teeth with black caps at snaggle-tooth random.
"If you see this boy," said the ballerina, "do not-I repeat, do not-try to reason with him."
There was the shriek of a door being torn from its hinges. Screams and barking cries of consternation came from the television set. The photograph of Harrison Bergeron on the screen jumped again and again, as though dancing to the tune of an earthquake. George Bergeron correctly identified the earthquake, and well he might have-for many was the time his own home had danced to the same crashing tune.
"My God-" said George, "that must be Harrison!"
The realization was blasted from his mind instantly by the sound of an automobile collision in his head. When George could open his eyes again, the photograph of Harrison was gone. A living, breathing Harrison filled the screen. Clanking, clownish, and huge, Harrison stood - in the center of the studio. The knob of the uprooted studio door was still in his hand. Ballerinas, technicians, musicians, and announcers cowered on their knees before him, expecting to die.
"I am the Emperor!" cried Harrison. "Do you hear? I am the Emperor! Everybody must do what I say at once!"
He stamped his foot and the studio shook.
"Even as I stand here" he bellowed, "crippled, hobbled, sickened-I am a greater ruler than any man who ever lived! Now watch me become what I can become!"
Harrison tore the straps of his handicap harness like wet tissue paper, tore straps guaranteed to support five thousand pounds. Harrison's scrap-iron handicaps crashed to the floor. Harrison thrust his thumbs under the bar of the padlock that secured his head harness. The bar snapped like celery. Harrison smashed his headphones and spectacles against the wall. He flung away his rubber-ball nose, revealed a man that would have awed Thor, the god of thunder.
"I shall now select my Empress!" he said, looking down on the cowering people. "Let the first woman who dares rise to her feet claim her mate and her throne!"
A moment passed, and then a ballerina arose, swaying like a willow. Harrison plucked the mental handicap from her ear, snapped off her physical handicaps with marvelous delicacy. Last of all he removed her mask. She was blindingly beautiful.
"Now-" said Harrison, taking her hand, "shall we show the people the meaning of the word dance? Music!" he commanded.
The musicians scrambled back into their chairs, and Harrison stripped them of their handicaps, too.
"Play your best," he told them, "and I'll make you barons and dukes and earls."
The music began. It was normal at first-cheap, silly, false. But Harrison snatched two musicians from their chairs, waved them like batons as he sang the music as he wanted it played. He slammed them back into their chairs. The music began again and was much improved. Harrison and his Empress merely listened to the music for a while-listened gravely, as though synchronizing their heartbeats with it. They shifted their weights to their toes. Harrison placed his big hands on the girls tiny waist, letting her sense the weightlessness that would soon be hers. And then, in an explosion of joy and grace, into the air they sprang! Not only were the laws of the land abandoned, but the law of gravity and the laws of motion as well. They reeled, whirled, swiveled, flounced, capered, gamboled, and spun. They leaped like deer on the moon. The studio ceiling was thirty feet high, but each leap brought the dancers nearer to it. It became their obvious intention to kiss the ceiling. They kissed it. And then, neutraling gravity with love and pure will, they remained suspended in air inches below the ceiling, and they kissed each other for a long, long time. It was then that Diana Moon Glampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice, and the Emperor and the Empress were dead before they hit the floor. Diana Moon Glampers loaded the gun again. She aimed it at the musicians and told them they had ten seconds to get their handicaps back on. It was then that the Bergerons' television tube burned out. Hazel turned to comment about the blackout to George. But George had gone out into the kitchen for a can of beer. George came back in with the beer, paused while a handicap signal shook him up. And then he sat down again.
"You been crying" he said to Hazel.
"Yup," she said.
"What about?" he said. "I forget," she said. "Something real sad on television."
"What was it?" he said. "It's all kind of mixed up in my mind," said Hazel.
"Forget sad things," said George. "I always do," said Hazel.
"That's my girl," said George.
He winced. There was the sound of a rivetting gun in his head.
"Gee-I could tell that one was a doozy," said Hazel. "You can say that again," said George.
"Gee-" said Hazel, "I could tell that one was a doozy."
What do you think are the themes present in the story.
What is/are the conflict/s?
What do you like or not like about the story? Why?
What 'text-to-text', 'text-to-self; and 'text-to-world' connections can you make?
Were there any difficulties you faced as you read the story? How did you overcome them?
I think the story is very interesting. This reminds me of A Wrinkle in Time. Everyone is the same and anyone who is different is punished. No one is allowed to think too hard and so they cant rebel, except for Harrison, who somehow breaks free. Interesting...
Actually, I find this story quite sick. Handicapping brilliant people and forcing everyone to be exactly the same isn't fair at all. It rather reminds me of communism where everyone is expected to be the same. To each his own said someone and I truely believe in that.
I think that the article is a little strange. The H-G men are smarter than the rest. No one can be equal, something would seperate them from others, a certain uniqueness that others dont possess. Why didnt the people resist this. Did they want to have average thinking and let others control them?
Cheers
Alvin, I think they could not help it, even with brilliant minds and all. Not many pp would not falter at the very mention of physical force(which sounds really intimidating by the way) IMHO, most of the geniuses were just plain scared... Take Ian for example, he is really clever but his EQ is practically 0 and he isn't a physical sort of person at all.
Wenda,do you think it was very smart to insult a fellow calssmate in front of the teacher?
And about this story, this Handicapper General, is like a fascist. This handicapper general is autocratic. He is a mad dictator. He is also very communist in a way. Tsis handicapper general also shows signs that he is a rationalist. This Handicapper general's main goal was to have an idealic society. Some people I could compare the handicapper general to:
1)Chairman Mao
2) Mussolini
3)Saddam Hussein
4)Adolph Hitler
And when they said that nobody was smarter than anybody, from whos opinion is smart considered smart?
This story is very interesting, I agree. As well as how it is compared to AWIT, where the citizens of Camazotz are under the rule of IT, forced to be equal and punished if found to be resisting IT's tyrannical rule.
In this case, IT would be the United States Handicapper General, Diana Moon Glampers. Who gave her the right to imprison bright, creative minds in mental handicaps? What is her motive in handicapping people with intelligence that is above-average? Is she an average-intelligence person herself, trying to disguise that fact by handicapping above-average people?
Ookay...stop here. Too long a tiny comment already. ^^
i think that all the masks and handicap bags stuff is so pointless- if u wear a hideous mask everyone knows u are beautiful, if u wear a beatiful mask everyone knows u are hideous. by looking at either the aids or handicaps everyone already knows your physical and mental ability, so why bother to hide them?
and for some reason i think this is very different from AWIT. in AWIT everyone (well almost) is trapped in their own mind, thats why they can all cooperate and skip and bounce balls all at the same rythem. But in this story here everyone knows perfectly well what he/she is doing and knows what is the reason for being equal, wearing all those handicaps blah blah blah.
i also tink that they shouldnt restrict the ability of those people who have higher abilities than others, but rather improve the abilities of those who have lower abilities. wouldn that be a better choice?
actually come to think of it... living in Jonas's world wouldnt be that bad, if you didnt know what Jonas knew. except for the no- colour part. i suppose if everyone had the same skin and hair colour, all the other colours on the other objects wouldnt hinder our daily life, would it? but i guess if you didnt even know such a thing called colour existed, then u wouldnt care. wait. u cant even care if u dont know!
oh yeah.. did Jonas die??
i realise my previous comment was 'quite' long... sorri... felt (and still feel) like writing. in a writing mood.
Jonas didn't die. Although they did not really say anything. Who else reads the Giver?
i jus came back here, n though i only read a bit of adil's comment (its super long n me eyes r gettin tired) i disagree on the part that communism is illogical. i tink tt the concept of communism is a very good idea, just that it is not practical. it cannot work in society, but the idea itself is very good.
GOSH. i come back here to read this story again, and read my comment again, and found out that what I wrote was pure rubbish. honestly, WHAT was i thinking??? i missed the whole POINT of the story!!!
anyway... now i think the part about george forgetting what had just happened is a kindo very important thing cos its like the Handicapper General makes everything seem to be perfect, cos' the ppl cant remember anyting new, can they? for example george cldnt remember what harrison had done, when he actually had the ability to, but cos of his handicaps its like all the evidence of harrison being killed would be erased. and then they change their history to make everything seem perfect. yeah. (i tink im being influenced too much by my history tr. sheesh. this is supposed to be english.)
so... i tink im gonna come back here like at the end of sec 1 and think what i wrote here is complete rubbish. lol. shows.
oh yeah- adil- if u happen to read this, my sis says tt ur writing is at like jc level. congrats.=) hey, honestly- im not being sarcastic here. really.=) and now i understand it. las yr i cldnt bee bothered to read it, hahaz. n it feels super weird to be the youngest again in a new place when u used to be oldest in a familiar place. lol.
crappy. too long a comment again. =P
I can't believe it has been almost 17 years since you've introduced me to this short story. It took me the longest time recently to track down the name of this story.....
- your student from a long time ago....
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